Overview

The ARRI ALEXA 35 has arrived at MN Studios, the new 4K Super 35 camera that takes digital cinematography to unprecedented levels. The ALEXA 35 is the smallest, full-featured ARRI production camera ever It also packs the features and processing power of a larger ALEXA into a mini-sized body that can record native 4K at up to 120 fps.

Efficiency is ensured through numerous usability enhancements and a simple menu structure that will be intuitively familiar. The ALEXA 35 is the best A-camera, B-camera and action camera on the market, all in one.

The new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

MORE DYNAMIC RANGE

The ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera.Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off.

Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured.

Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR (High Dynamic Range) projects.

MORE SENSITIVITY

Impressively low noise and sensitivity settings ranging from EI 160 to EI 6400 make ALEXA 35 a “High ISO” camera.

An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and truer contrast, allows ALEXA 35 to capture the most delicate nuances of light and shadow in a wider range of shooting situations.

Filmmakers can work with available light in real locations, safe in the knowledge that even at extreme ISO values, any noise will have a pleasingly film-like structure.

And this is just the beginning, do you want to know more?

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